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This perception was shared by the thinkers, writers, and readers of the eighteenth century—keeping at bay Rousseau's pessimism—as well as the revolutionaries who acted as agents of progress and change.

The critique of evil was enfolded into a discourse of rationality, establishing differences between natural catastrophes and manmade disasters slavery, the Inquisition, wars , deeming the latter curable evils. In this article I introduce a self-described "philosophe inconnu," Louis-Claude de Saint-Martin — , 3 who, though an optimist by faith, offered his contemporaries an allegory on the battle between Good and Evil that was and remains a prescient warning on their intertwining.

Poised at the junction between the Revolution and the Terror, as the shift had not quite yet shocked pro-revolutionaries like himself, the author struggles to invent a genre—an allegorical prose poem—to represent and interpret one of the most drastic turns in French history. Saint-Martin's choice of form—allegory—reflects a solidarity with the historical period that the allegory evokes and during which it was written at the turn of the Revolution into the —94 Terror.

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To understand what might have motivated this allegory, we need to look both at the role and meaning of allegory as a rhetorical figure, and at the role and meaning of the Revolution according to Saint-Martin. The characteristics unique to allegory soon to be disparaged by the Romantics in favour of the symbol made it the most suitable expression of reason's struggle to make sense of this overwhelming historical moment. Saint-Martin's text promotes the relevance and usefulness of allegory to represent events such as wars and uprisings.

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Built on the Johns Hopkins University Campus. Much of this novel, for example, is about the theological dispute between Bernard and Abelard the famously castrated boyfriend of Heloise , but Gallo never really explains what the dispute was all about.

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We aren't told much more than that Bernard thought Abelard was a bit of a heretic and a bad influence. Despite these minor complaints, this book is readable and enjoyable if you are interested in medieval France, the second crusade, or monastic life.

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There are no discussion topics on this book yet. About Max Gallo. Max Gallo.

Le Schisme (FICTION) (French Edition)

Max Gallo was a French writer, historian and politician. The son of Italian immigrants, Max Gallo's early career was in journalism. At the time he was a Communist until In , he joined the Socialist Party. No trivia or quizzes yet. Welcome back.

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Book file PDF easily for everyone and every device. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Edition First Edition.